No. 109 (2006), Articles
No. 109 (2006)

Music, parody and feminism

Articles
Published 2017-12-13
Otilia Cortez
State University of New York, Oswego
Cover No. 109
PDF (Spanish)

Keywords

Carlos Mejía Godoy
Crossref
Scopus
Google Scholar
Europe PMC

How to Cite

Cortez, O. (2017). Music, parody and feminism. Realidad, Revista De Ciencias Sociales Y Humanidades, (109), 473–481. https://doi.org/10.5377/realidad.v0i109.3454

Abstract

Popular songs have traditionally expressed many human feelings, among them, those originated by couple liaisons. The case studied in the following essay, a song of the Nicaraguan composer Carlos Mejía Godoy, is an example of how popular songs may yield a critical vision on the relations between women and men.

Realidad: Revista de Ciencias Sociales y Humanidades No. 109, 2006: 473-481

PDF (Spanish)
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.